Sound Devices Scorpio

16 préamplificateurs de microphones à très faible bruit de la série 8

32 canaux, 12 bus, 36 pistes

32 canaux d'E/S Dante

SSD interne de 256 Go, 2 emplacements pour cartes SD

Ports USB-A et C pour l'application SD-Remote, le contrôle linéaire des faders via l'unité centrale, le clavier et le transfert de fichiers.

Dugan Automixing/MixAssist pour un maximum de 16 canaux

Plugins de suppression du bruit NoiseAssist et CEDAR sdnx en option.

Scorpio est un mélangeur-enregistreur 32 canaux, 36 pistes et le produit le plus puissant jamais conçu par Sound Devices. Avec ses 16 préamplificateurs micro/ligne, ses 32 canaux d'entrée et de sortie Dante, ses entrées et sorties AES, ses 12 sorties analogiques et ses multiples sorties casque, Scorpio est parfaitement adapté à tout scénario de production. Une matrice de routage entièrement personnalisable permet aux professionnels du son d'envoyer n'importe quelle entrée vers n'importe quel canal, bus ou sortie. Jusqu'à 12 bus peuvent être mixés individuellement. Grâce à son facteur de forme compact, le Scorpio est aussi à l'aise sur l'épaule que dans un rig mobile.

Scorpio intègre la technologie la plus avant-gardiste de Sound Devices. Un moteur ultra-puissant composé de trois circuits FPGA et de six processeurs ARM fournit la puissance nécessaire aux tâches les plus complexes. Le traitement audio basé sur des FPGA avec des chemins de données de 64 bits garantit une qualité sonore et une fiabilité optimales. Le Scorpio est également équipé des derniers et meilleurs préamplificateurs de microphone analogiques de Sound Devices. Ces préamplificateurs ont le son le plus doux et le bruit le plus faible de tous les préamplificateurs des 20 ans d'histoire de la société et comprennent des limiteurs analogiques intégrés, des filtres passe-haut, un délai, un égaliseur 3 bandes et une alimentation fantôme.

• Analog Inputs
• Frequency Response
• 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz)
• 
  
• THD + Noise
• 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in)
• 
  
• Equivalent Input Noise
• -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)
• 
  
• Processing Engine
• Highly extensible, full FPGA-based audio processing, 3 FPGAs
• Six-way ARM multiprocessor system
• 64-bit audio processing precision
• 
  
• Audio Over Ethernet
• Dante, AES67 compatible
• 32 channels in, 32 channels out (up to 96 kHz)
• 1 Gb/s Ethernet, 2 ports, transformer-balanced
• 
  
• Inputs
• Mic/Line inputs
• 16 total, all fully featured; 6 on full-size XLR, 2 on TA3, 8 on TA5
• 
  
• Inputs
• Mic-level inputs: (XLR, TA3, TA5): Class-A, discrete differential long-tail pair, 4k ohm input impedance
• Line-level inputs: (XLR, TA3, TA5): active-balanced, 4k ohm input impedance
• 48V phantom: full 10mA to all 16 inputs simultaneously
• 22 Total analog inputs: 16 mic-line inputs, 6 on returns
• AES3 or AES42 available on XLR inputs 1 and 6
• AES42: +10 V, 250 mA available, mode-1, auto-ASRC
• USB Audio: 2 Inputs
• Rtn A, B, C (3.5 mm/10-pin): unbalanced 2-channel, 4k ohm input impedance
• Com Rtn 1,2 (TA3, 3.5mm) balanced, 1-channel, 8k ohm input impedance
• External Slate Mic (TA5): balanced, 8k ohm input impedance, menu-selectable 12 V phantom
• Maximum Input Level
• Mic: +8 dBu (2.0 Vrms)
• Line: +28 dBu (19.5 Vrms)
• Rtn A, B, C: +18 dBu (6.2 Vrms)
• Com Rtn 1, 2: +24 dBu (12.3 Vrms)
• External Slate Mic: +12 dBu (3.2 Vrms)
• Buses
• 12 Buses (L, R, 1-10)
• Left and Right Mix Bus receives post-fade isolated channels. Optional NoiseAssist plugin instances can be applied to any bus.
• Buses 1-10 can receive pre-fade, post-fade, or independent send level from isolated channels, Returns A, B, or C, and Com Returns 1 and 2.
• 
  
• High-Pass Filters
• Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.
• 
  
• Limiters
• Limiters available at all channels, buses, headphones, for all sample rates
• Analog first stage, all subsequent stages digital
• Attack time: adjustable 1 to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, -2 dBFS to -12 dBFS
• Selectable ratio: inf:1, 20:1, 18:1, 16:1, 14:1, 12:1, 10:1
• Knee: soft, hard
• 
  
• 
  
• Compressors
• Compressors available at all channels (pre or post-fade) and buses for all sample rates
• Attack time: adjustable, 1 to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, 0 dBFS to -40 dBFS
• Selectable ratio: adjustable, 1:1 to 20:1
• Knee: soft, hard
• Delay
• Channel Adjustable 0-50 ms
• Output Adjustable 0-500 ms
• 
  
• Maximum Gain
• Trim stage (mic input): 76 dB
• Trim stage (line input): 50 dB
• Fader stage: 16 dB
• Bus stage: 16 dB
• Headphone stage: 20 dB
• Mic-to-Line: 108 dB
• Mic-to-Headphone: 112 dB
• 
  
• 
  
• Outputs
• Outputs
• XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• Hirose 10-pin (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• TA3 (X1-X6) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• 3.5mm (X7, X8): unbalanced, stereo, 1.8k ohms
• Headphone Outputs
• ¼”, 3.5 mm
• TA5 (along with mic input pins) for single connection to headset + mic
• High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven
• Compatible with headphones of any impedance
• Maximum Output Level (all into 10k load)
• Line: +20 dBu (7.8 Vrms)
• “-10”: +6 dBu (1.5 Vrms)
• Mic: -20 dBu (0.078 Vrms)
• X7/X8 Out: +6 dBu (1.5 Vrms)
• Headphone outputs (¼”, TA-5, X9/X10): +14 dBu (4.0 Vrms)
• Digital Outputs
• AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 5-8 (Hirose 10-pin A)
• 110 ohm, 2 V p-p, AES and S/PDIF compatible
• 
  
• 
  
• Recording
• A/D Converters
• 32-bit, 120 dB, A-weighted dynamic range typical
• Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 96 kHz, 192 kHz
• 
  
• Bit Depth
• 16, 24
• 
  
• Recording
• Internal 256 GB SSD; two removable SD Cards. Each 10% over-provisioned (reserved free space) for optimum performance
• Simultaneous recording to internal SSD and the two SD cards
• exFAT formatting
• 36 tracks (32 iso channels, 4 buses)
• Broadcast WAV monophonic (48048 and lower) and polyphonic file format
• 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 GB
• AAC 2 track at 48 kHz, selectable bit rate 32, 64, 128, 192, 256 kbps
• Automatic Mixing
• Dugan Automixer up to 16 channels on Left and Right Mix bus
• MixAssist up to 16 channels on Left and Right Mix bus
• 
  
• 
  
• 
  
• Noise Suppression
• Via optional paid Sound Devices NoiseAssist or CEDAR sdnx Plugins 
• Two, four, or eight instances of Noise Suppression can run on any combination of isolated channels (excluding 17-32 on Scorpio), or buses.
• Attenuation range: 0-20 dB 
• NoiseAssist operates with sampling rates of 44.1 kHz to 48.048 kHz.
• CEDAR sdnx operates with sampling rates of 44.1 kHz to 96 kHz.
• NoiseAssist audio path latency: 0.77 ms @ 48kHz
• CEDAR sdnx audio path latency: 0.27 ms @ 48kHz, 0.14ms @ 96kHz
• USB
• USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards
• USB-C 2-in/2-out USB audio interface
• USB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices
• 
  
• Timecode and Sync
• Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
• Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
• Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
• Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
• Timecode Output: 75 ohm impedance, 5 V p-p (+7 dBu)
• Timecode and Sync
• Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
• Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
• Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
• Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
• Timecode Output: 75 ohm impedance, 5 V p-p (+7 dBu)
• Remote Control
• Sound Devices CL-16 Linear Fader Controller
• Sound Devices CL-12 Linear Fader Controller
• USB MIDI MCU Control  – supported 3rd party fader controllers
• SD-Remote Android Tablet app via USB or Bluetooth LE
• SD-Remote Android Phone app via Bluetooth LE
• SD-Remote iPad and iPhone app via Bluetooth LE
• USB Keyboard
• External Timecode Record Trigger
• 
  
• 
  
• File Delivery to Cloud
• Compatible with Frame.io Camera to Cloud
• Compatible with Viviana Cloud
• 
  
• LCD
• 320×240, Transflective, excellent sunlight visibility
• Larger touchscreen display available via USB-connected SD-Remote app
• 
  
• Power
• External: dual 10-18 V inputs on locking TA4 connectors, (pin 4 positive, pin 1 ground), supports Smart Battery telemetry
• Dual rear-mount Sony-style L-mount batteries with chargers
• 
  
• Current Draw, at 12 V no battery charging
• All mic preamps off: 950 mA
• All mic preamps on: 1.26 A
• All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards: 1.42 A
• All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards, Dante enabled: 1.67 A
• Intelligent power-down of unused mic preamps and other internal circuits
• Environmental
• Operating: -20° C to 60° C, 0 to 90% relative humidity(non-condensing)
• Storage: -40° C to 85° C
• 
  
• 
  
• Dimensions (H x W x D)
• 5.1 cm x 32 cm x 20.5 cm
• 2.0 in. x 12.6 in. x 8.1 in
• 
  
• 
  
• Weight
• 5.8 lbs (unpackaged, without batteries)
• 2.63 kg (unpackaged, without batteries)
• 
  
• 
  
• 
  
• 
  
• 
  

Analog Inputs

Frequency Response

• 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz)

THD + Noise

• 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in)

Equivalent Input Noise

• -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)

Processing Engine

• Highly extensible, full FPGA-based audio processing, 3 FPGAs
• Six-way ARM multiprocessor system
• 64-bit audio processing precision

Audio Over Ethernet

• Dante, AES67 compatible
• 32 channels in, 32 channels out (up to 96 kHz)
• 1 Gb/s Ethernet, 2 ports, transformer-balanced

Inputs

Mic/Line inputs

• 16 total, all fully featured; 6 on full-size XLR, 2 on TA3, 8 on TA5

Inputs

• Mic-level inputs: (XLR, TA3, TA5): Class-A, discrete differential long-tail pair, 4k ohm input impedance
• Line-level inputs: (XLR, TA3, TA5): active-balanced, 4k ohm input impedance
• 48V phantom: full 10mA to all 16 inputs simultaneously
• 22 Total analog inputs: 16 mic-line inputs, 6 on returns
• AES3 or AES42 available on XLR inputs 1 and 6
• AES42: +10 V, 250 mA available, mode-1, auto-ASRC
• USB Audio: 2 Inputs
• Rtn A, B, C (3.5 mm/10-pin): unbalanced 2-channel, 4k ohm input impedance
• Com Rtn 1,2 (TA3, 3.5mm) balanced, 1-channel, 8k ohm input impedance
• External Slate Mic (TA5): balanced, 8k ohm input impedance, menu-selectable 12 V phantom

Maximum Input Level

• Mic: +8 dBu (2.0 Vrms)
• Line: +28 dBu (19.5 Vrms)
• Rtn A, B, C: +18 dBu (6.2 Vrms)
• Com Rtn 1, 2: +24 dBu (12.3 Vrms)
• External Slate Mic: +12 dBu (3.2 Vrms)

Buses

• 12 Buses (L, R, 1-10)
• Left and Right Mix Bus receives post-fade isolated channels. Optional NoiseAssist plugin instances can be applied to any bus.
• Buses 1-10 can receive pre-fade, post-fade, or independent send level from isolated channels, Returns A, B, or C, and Com Returns 1 and 2.

High-Pass Filters

• Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.

Limiters

• Limiters available at all channels, buses, headphones, for all sample rates
• Analog first stage, all subsequent stages digital
• Attack time: adjustable 1 to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, -2 dBFS to -12 dBFS
• Selectable ratio: inf:1, 20:1, 18:1, 16:1, 14:1, 12:1, 10:1
• Knee: soft, hard

Compressors

• Compressors available at all channels (pre or post-fade) and buses for all sample rates
• Attack time: adjustable, 1 to 200 ms
• Release time: adjustable, 50 ms to 1000 ms
• Threshold: adjustable, 0 dBFS to -40 dBFS
• Selectable ratio: adjustable, 1:1 to 20:1
• Knee: soft, hard

Delay

• Channel Adjustable 0-50 ms
• Output Adjustable 0-500 ms

Maximum Gain

• Trim stage (mic input): 76 dB
• Trim stage (line input): 50 dB
• Fader stage: 16 dB
• Bus stage: 16 dB
• Headphone stage: 20 dB
• Mic-to-Line: 108 dB
• Mic-to-Headphone: 112 dB

Outputs

Outputs

• XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• Hirose 10-pin (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• TA3 (X1-X6) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
• 3.5mm (X7, X8): unbalanced, stereo, 1.8k ohms

Headphone Outputs

• ¼”, 3.5 mm
• TA5 (along with mic input pins) for single connection to headset + mic
• High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven
• Compatible with headphones of any impedance

Maximum Output Level (all into 10k load)

• Line: +20 dBu (7.8 Vrms)
• “-10”: +6 dBu (1.5 Vrms)
• Mic: -20 dBu (0.078 Vrms)
• X7/X8 Out: +6 dBu (1.5 Vrms)
• Headphone outputs (¼”, TA-5, X9/X10): +14 dBu (4.0 Vrms)

Digital Outputs

• AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 5-8 (Hirose 10-pin A)
• 110 ohm, 2 V p-p, AES and S/PDIF compatible

Recording

A/D Converters

• 32-bit, 120 dB, A-weighted dynamic range typical
• Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 96 kHz, 192 kHz

Bit Depth

• 16, 24

Recording

• Internal 256 GB SSD; two removable SD Cards. Each 10% over-provisioned (reserved free space) for optimum performance
• Simultaneous recording to internal SSD and the two SD cards
• exFAT formatting
• 36 tracks (32 iso channels, 4 buses)
• Broadcast WAV monophonic (48048 and lower) and polyphonic file format
• 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 GB
• AAC 2 track at 48 kHz, selectable bit rate 32, 64, 128, 192, 256 kbps

Automatic Mixing

• Dugan Automixer up to 16 channels on Left and Right Mix bus
• MixAssist up to 16 channels on Left and Right Mix bus

Noise Suppression

• Via optional paid Sound Devices NoiseAssist or CEDAR sdnx Plugins 
• Two, four, or eight instances of Noise Suppression can run on any combination of isolated channels (excluding 17-32 on Scorpio), or buses.
• Attenuation range: 0-20 dB 
• NoiseAssist operates with sampling rates of 44.1 kHz to 48.048 kHz.
• CEDAR sdnx operates with sampling rates of 44.1 kHz to 96 kHz.
• NoiseAssist audio path latency: 0.77 ms @ 48kHz
• CEDAR sdnx audio path latency: 0.27 ms @ 48kHz, 0.14ms @ 96kHz

USB

• USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards
• USB-C 2-in/2-out USB audio interface
• USB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices

Timecode and Sync

• Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
• Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
• Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
• Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
• Timecode Output: 75 ohm impedance, 5 V p-p (+7 dBu)

Timecode and Sync

• Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
• Frame Rates: 23.98, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
• Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
• Timecode Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (–17 dBu – +3 dBu)
• Timecode Output: 75 ohm impedance, 5 V p-p (+7 dBu)

Remote Control

• Sound Devices CL-16 Linear Fader Controller
• Sound Devices CL-12 Linear Fader Controller
• USB MIDI MCU Control  – supported 3rd party fader controllers
• SD-Remote Android Tablet app via USB or Bluetooth LE
• SD-Remote Android Phone app via Bluetooth LE
• SD-Remote iPad and iPhone app via Bluetooth LE
• USB Keyboard
• External Timecode Record Trigger

File Delivery to Cloud

• Compatible with Frame.io Camera to Cloud
• Compatible with Viviana Cloud

LCD

• 320×240, Transflective, excellent sunlight visibility
• Larger touchscreen display available via USB-connected SD-Remote app

Power

• External: dual 10-18 V inputs on locking TA4 connectors, (pin 4 positive, pin 1 ground), supports Smart Battery telemetry
• Dual rear-mount Sony-style L-mount batteries with chargers

Current Draw, at 12 V no battery charging

• All mic preamps off: 950 mA
• All mic preamps on: 1.26 A
• All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards: 1.42 A
• All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards, Dante enabled: 1.67 A
• Intelligent power-down of unused mic preamps and other internal circuits

Environmental

• Operating: -20° C to 60° C, 0 to 90% relative humidity(non-condensing)
• Storage: -40° C to 85° C

Dimensions (H x W x D)

• 5.1 cm x 32 cm x 20.5 cm
• 2.0 in. x 12.6 in. x 8.1 in

Weight

• 5.8 lbs (unpackaged, without batteries)
• 2.63 kg (unpackaged, without batteries)